Aeschylus’ Prometheus Bound is a very exciting and fast-paced play, for one within the confines of Greek theatrical tradition. Hephaestus, with Zeus’ pushy mouthpiece Might, chain Prometheus to a rock in the mountains of Scythia at the edge of the world. When they leave, Prometheus rages about the injustice of his situation. The first of many visitors in this barren land arrives – in fact, a whole group of them (the chorus): the Daughters of Ocean. Prometheus tells them about his situation – a powerful Titan who helped Zeus gain power by telling him to topple Kronos by guile and not strength, he (like Eve) has been punished for disobeying orders and giving knowledge to mankind. He is proud and defiant, and it is later hinted that this has been exacerbated by his belligerence, and that submitting to Zeus would mean an end to his suffering. However, he will not hear of it, no matter how Ocean reasons with him. Zeus is a selfish tyrant and Prometheus will never acquiesce – and besides, he can see what will happen, and knows the secret of Zeus’ downfall.
After Ocean leaves, Io wanders on, still in the form of a cow, tortured by a Gadfly. She is another victim of cruel Zeus – he tried to seduce her, she refused, Hera was jealous anyway and transformed her. She and psychic Prometheus tell her story, Prometheus foretelling her journey to the Nile, where Zeus will swoop on her and she will bear his child. One of this child’s descendents will be Heracles, who of course is the one to finally free Prometheus. Io exits with a brilliantly unhinged final expression of the woe of the toil ahead of her. Prometheus’ next guest is Hermes, who comes with an ultimatum from Zeus – tell him the secret of his downfall or have his eagle peck at his innards every day.
Proud Prometheus patronises the sarcastic Hermes and sends him back to Olympus. The chorus, despite knowing that if they stay, they will get caught up in the splitting of the mountain that will signal the beginning of Prometheus’ punishment, stand by Prometheus’ side, supporting his decision and signalling their agreement that Zeus is a tyrant, his downfall much to be wished for.
Coo, try rearranging THAT sentence so that it doesn’t end with a preposition!
I believe that in mythology, Io WAS the lover of Zeus, and bore his child willingly when she was turned back into a human in Egypt. I believe that it was Zeus who turned her into a cow, trying to hide her from Hera, who wasn’t fooled. Hermes was the one who killed her guardian, many-eyed giant Argus (Nabokov’s favourite). Although of course all myths are malleable, I expect Aeschylus skimmed over the first details of Io’s story in order to make Zeus more culpable, and Io purer, therefore more of a victim.
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